Hugo Ticciati & O/Modernt Academy

The famous Russian pianist Maria Yudina

Vox Clamantis: Missa syllabica

Orient & Occident

Conference: Arvo Pärt – texts and contexts

Conference: Arvo Pärt – texts and contexts

Tintinnabuli and the Sacred: A View from the Archives, 1976–1977

Arvo Pärt and Valentin Silvestrov: Creative Parallels from Experimentation to Sensation

Characteristics of the Compositional Process in Arvo Pärt’s Tintinnabuli Technique

Cyclical Structure and Dramatic Technique in Litany

Arvo Pärt’s Second Symphony and XJI-Invariant Twelve-Tone Rows

Pärt, Bach and the Bees

The Niceno-Constantinopolitan Creed in the Works of Arvo Pärt

The Theology of the Word Underlying the Creativity of Arvo Pärt

Case Studies in Pärt’s Textual Settings: Silent and Sounded

The Sound(s) of Silence: Presence of the Unhearable in Arvo Pärt’s Silentium

Tintinnabuli’s Materiality (or, Listening to Pärt like a Piano Technician)

“Arvo Pärt – Texts and Contexts”. Discussion